fbpx

We bring you the best of woodworking -
Projects, techniques, tools, videos, magazines and more...

Handmade wooden goblet with two handles and lid.
Emiliano Achaval collaborates with Troy Grimwood to make a beautiful drinking vessel For...
17
Jan
Woodturning detail on a lathe with carving tool.
Sue Harker shows you how to turn an earring and ring stand pedestal bowl I particularly...
17
Jan
Using a disc sander on a wooden block
Using a static sander needs grit and determination – we have both! Once you...
16
Jan
Wood furniture assembly with Danish oil
Gary Ramsden recycles the wood from an old chest of drawers to make a brand new piece...
15
Jan
Variety of wooden laminate samples on display.
Each week we bring you a round-up of interesting and entertaining woodworking content...
15
Jan

Furniture & Cabinetmaking

Wall-mounted wine rack with glasses and bottles.

How to Make Shelves

Some shelves need to be open, such as for books. But other items are safer if they cannot fall off accidentally (especially if someone bangs a door in a stud wall and it vibrates every time). We have a collection of carved wooden elephants that have a habit of ‘walking’ every so often. So, here is a design that looks good, can be produced in multiples and placed asymmetrically on the wall, but also ensures nothing falls off. Shelf exploded view Cutting and sanding the stock 1. This project is made from throwaway offcuts, so no cost or wastage is involved. Take a piece of 12mm thick board, cut it to width with a handsaw and plane the long edges smooth, checking the width remains consistent. 2. Then mark and crosscut two matching pieces for the shelf ends using a try square or engineers square. Clamp together in a vice

Read More
Measuring antique wooden furniture restoration project.

Wall Clock Restoration

Louise Biggs fixes and restores a wall clock case. I was originally called in to assess and repair a broken door from a clock case. Upon seeing the clock I found that several other repairs were needed to the case, with the clients requesting a solution to the wobbly pediment. From a distance it looked to be a resplendent little clock just the right size for their hall, and having carefully transported it to my workshop I took a closer look. Not quite what it seemed Alarm bells started to ring initially with the fixing of the pediment, which had a narrow peg and a rather large slot. The other major concern was the mix of timbers on show with pine (Pinus sylvestris), beech (Fagus sylvatica) and mahogany (Khaya ivorensis) forming the case. Although beech and pine are used within furniture, etc. it is not typical for them to be polished

Read More

Woodcarving

Sculptor crafting small figure under magnifying glass

Size matters

Peter Benson explores size and scale of carvings In this world where fashions seem to dictate how successful anyone is going to be, those who don’t conform to the current trend are likely to have a much more difficult time than those that do. Pop stars and film stars are seldom unattractive, maybe lacking in character and personality but generally good to look at. We ordinary people have to work just that bit harder to make our mark. As someone who loves to carve very small pieces when I have the opportunity, I am aware that, unless I become very famous – which is highly unlikely – I am never going to earn a living or get paid anything like a worthwhile sum with any of my little carvings. On the other hand, if I tackled a tree stump with a chainsaw and spent a fraction of the time producing

Read More
Black and white photo of a pensive woman.

An Interview from History

Dr Helen Wilson imagines a conversation with carver Violet Pinwill (1874-1957) to guest editor John Samworth, based on her research In this issue of Woodcarving my guest is Dr Helen Wilson. Helen retired from academia to pursue her interests in local history, architecture and churches. She has extensively researched the life and work of a group of siblings, collectively known as the Pinwill sisters. Through Helen’s work we are able to glimpse the social history of these remarkable woodcarving folk between 1890s and 1950s. Here is an interview with one sister, Violet Pinwill (1874- 1957), ecclesiastical woodcarver. The conversation is based on the diligent research of Helen. An ‘interview’ with Violet Pinwill What is your family background? I was born in 1874 in Moulton, Lincolnshire. My father, the Rev’d Edmund Pinwill, originated in Holbeton, Devon, but moved around the country with his various appointments, so my sisters and I were

Read More

Woodturning

Handcrafted wooden bowls with artistic edges on display.

Natural Edge Work. Part 2

Having turned a vase with a natural edge in the previous article, I am now turning my attention to the next challenge – turning a natural edge bowl. Log choice The log that I have selected for the bowl needs cutting round on the bandsaw. Fortunately, George has cut a flat on the base, large enough for it to sit on the table of the saw without rocking as I cut it. To guide my saw I cut out a 200mm disc of 6mm MDF, which I loosely fix to the log with a nail through the centre of the disc. As with many of the techniques I’m using in these articles, this is something I’ve seen done many times in books and magazines but have never tried. So far, I’m impressed at its simplicity and how well it works. As before, I mount this block between centres. It’s hard

Read More
Woodturning on a lathe machine.

Why Turn Punky and Soft Wood?

Alan Wasserman looks at using imperfect wood, starting with the implications and things to consider when using soft ‘punky’ wood. Why write an article on using imperfect wood for your woodturning project? Imperfections in wood can include rot, spalting, discolouration, bark inclusions, worm holes, voids, cracks, fissures, etc. Each has implications when they are present in the wood. Some might say that if the wood has imperfections it should be thrown on the fire pile – after all, wood grows on trees!  Timber Quality wood can be located and bought from many sources. Perfect timber costs money – depending on the species and figuring, a lot of money – but it can be what is required. What about wood that isn’t quite perfect – like getting our hands on a piece of driftwood or being offered or coming across a felled tree or sections from a tree surgeon? What about

Read More

Woodworking Crafts

Incomplete puzzle with chair art on blue background.

Making a Jigsaw Puzzle

Amber Bailey goes more or less round in circles to produce a simple fun jigsaw. Rather than having a go at a jigsaw puzzle, I decided to make one instead. It was also a good excuse to dust off my treadle fretsaw for a quick but satisfying little project that is perfect for beginners or those who fancy trying something a little different. What you will need Preparing the materials Painting your design Health & safety When cutting with a fretsaw you are required to hold your fingers very close to the blade – be wary of slipping. Wear hand protection if necessary. Alternative inspiration If you don’t feel confident in your artistic abilities then you could use a photograph instead. Be sure to secure the entire page down with spray mount or contact adhesive. Using a photograph is a great way for turning the project into a gift for loved ones. 8.

Read More
Hand-carved stone and wooden dragon sculptures on palm leaves.

Carving a Dragon from Stone

Steve Bisco is inspired by a medieval dragon in Christchurch Priory. Christchurch Priory in Dorset, is a cathedral in all but name. It’s one of the largest churches in Britain, reflecting the historical status of Christchurch as an important medieval port on the south coast of England. The Norman core of the building, started in 1094 and finished around 1150, was built in the Romanesque style, with the round arches and heavy columns that preceded the later and lighter Gothic style. It is well worth visiting for its carved stonework and woodcarving. While on such a visit I was stopped short by a small dragon nestling at the foot of one of the columns in the nave, apparently asleep but with its mouth partly open as if ready to strike if disturbed. It was carved in medium relief on the upper surface of one of the limestone blocks at the

Read More